Showing Records: 61 - 80 of 1192
[AE...] / Furnival, John., 1966
Turquoise colored letters are overprinted in a cross-like manner. -- Source of annotation: Marvin or Ruth Sackner.
AEIOU / De Araujo, Avelino., 1994
Taken from Archiveof O!!Zone 1996. -- Source of annotation: Marvin or Ruth Sackner.
AEIOU / John Furnival., 2001
The vowels are printed in black, white, red, green and blue. They are arranged in a pyramid form on a gray background. The flag was part of an International show of artist flags. -- Source of annotation: Marvin or Ruth Sackner.
AEIOU / John Furnival., 2001
The vowels are printed in black, white, red, green and blue. They are arranged in a pyramid form on a gray background. The flag was part of an International show of artist flags. -- Source of annotation: Marvin or Ruth Sackner.
AEIOU Portfolio: Vowels: A Poem by Arthur Rimbaud / Baker, Jan., 1978
[AG] / Beaulieu, Derek., 2010
This print was made from a letraset collage. -- Source of annotation: Marvin or Ruth Sackner.
[AG - Small Version] / Beaulieu, Derek., 2010
This print was made from a letraset collage. -- Source of annotation: Marvin or Ruth Sackner.
Agentzia Blatt: [$]. No.3, 1971
A large letter 'S,' flanked by two vertical 'I's' to the right, are formed by typewitten generated words. All words in the 'S' begin with the letter 's,' whereas the words in the two 'i' columns, which should begin with the letter 'i,' lack this letter. It is up to the reader to utilize the letter 'i' when reading the text in these columns. The words appear to be randomly chosen as in automatic writing but have political overtones. -- Source of annotation: Marvin or Ruth Sackner.
Agentzia Blatt: Untitled. No.1, 1970
Letters, numbers and punctuation marks of varied font sizes appear to be falling, in a random arrangement, from the upper right hand corner of the print until reaching a circle filled with the photograph of a large group of people. The circle appears to represent a magnifying glass. The interpretation of this image is unclear. The duplicate copy is folded. -- Source of annotation: Marvin or Ruth Sackner.
Agentzia: In Concreto, No. 2, 1968
Includes folded posters, Jochen Gerz, Blatt-Nr.1: Untitled and Julien Blaine, Blatt-Nr.4. The poster by Gerz is included in Agentzia 2 but is catalogued separately. -- Source of annotation: Marvin or Ruth Sackner.
Aleatory Letters / Taylor, Kent ; levy, d.a.., 1964
The pages of this book depict scattered letters and unintelligible words in different type faces. levy was the owner of Renegade Press. According to Kent Taylor in a personal communication (1997) to the Sackners, the cover image and print was done by him rather than levy. Further, this image differs between the two copies of this book held by the Sackner Archive.*WEB 1998: Richard Aaron, Am Here Books: This is an Exhibition Catalogue.*WEB 1999: Kent Taylor, I'm baffled by Richard Aaron's comment about Aleatory Letters being an 'exhibition catalogue'. -- Source of annotation: Marvin or Ruth Sackner.
Aleatory Letters / Taylor, Kent ; levy, d.a.., 1964
The pages of this book depict scattered letters and unintelligible words in different type faces. levy was the owner of Renegade Press. According to Kent Taylor in a personal communication (1997) to the Sackners, the cover image and print was done by him rather than levy. Further, the image differs between the two copies of this book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Aleph Benoni & Zaddik / Hirschman, Jack A.., 1968
Benoni in Hebrew in the title of this book translates into 'humble son;' Zaddik signifies the rightious one. The paging of the poem is done by alphabetically ordered, calligraphically presented Hebrew letters. -- Source of annotation: Marvin or Ruth Sackner.
Alphabet: signalist poster poem No.4 / Todorovic, Miroljub., 1970
This is an announcement for Signal magazine. -- Source of annotation: Marvin or Ruth Sackner.